Victor Valery Signed Reims Cathedral Etching, Framed French Gothic Art
Please Note
This is an antique piece and shows age appropriate wear consistent with its history. The paper has visible toning and discoloration, especially around the margins, and the frame shows light surface wear from previous display. Please review all photos carefully as they are part of the condition description.
Details of Item
A beautifully atmospheric signed French etching depicting the interior of Notre Dame Cathedral in Reims, France.
The scene features soaring Gothic arches, tall columns, detailed choir stalls and the cathedral’s dramatic rose windows. The muted gray, blue, cream and warm golden tones give the piece a quiet, old world character.
The artwork is pencil signed at the lower right Victor Valery and includes a handwritten French inscription beneath the image reading approximately: “60. Intérieur de la cathédrale de Reims”
The number 60 appears as part of the handwritten inscription. We have not verified it as an edition number and do not represent it as such.
Victor Valery was the professional name associated with French etcher Victor Valery Lochelongue, who was known for detailed architectural views of French landmarks.
The piece is professionally framed beneath glass with a warm brown mat and narrow dark wood frame with gold toned accents. A label on the reverse identifies Presto Art Supplies & Picture Framing of Hendersonville, North Carolina, with a handwritten date that appears to read 3/01. This appears to refer to the framing date rather than the age of the artwork.
The frame retains its hanging wire and is ready for display.
Dimensions
Approximately 16 inches tall × 13.5 inches wide
Unpacked weight is approximately 2 lb 4 oz.
Condition
Good antique condition with visible age related toning and discoloration to the paper, particularly around the lower margin and outer edges.
The visible image remains detailed and attractive.
The frame shows light surface wear consistent with age and previous display.
No obvious tears, major creases or significant damage are visible to the exposed portion of the artwork.
The piece has not been removed from its professional framing, so the reverse of the print and any areas concealed beneath the mat have not been inspected.
Manor Note
This quiet cathedral view is said to have spent many years in the Gallery, where the afternoon light would catch the rose windows beneath the glass. Mr. Wren insists no one remembers exactly when it arrived at the Manor, though someone long ago thought enough of it to leave a careful pencil inscription beneath the scene. It has remained there ever since, quietly watching over the room.
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